Wednesday, 20 March 2013
Save The Cat! The Last Book on Screenwriting You'll Ever Need by Blake Snyder
Well, I have had a bit of a performance sourcing, no trying to source this book.
Devon Libraries do not have a copy anywhere in the County. I asked at the library if they could source a copy from an out of County library. The answer was yes, but there are only 3 copies in the Country available for loan. I filled the request form in and then headed to Amazon.
Amazon listed the book and was out of stock. I completed the alert function that asked that I be dropped an email when back in stock so I could order it. I looked at the Kindle version which was over £7. Too much, for a kindle book that I am not likely to read again. Incidentally, the physical book came back into stock at a much higher price, so I passed.
I looked at Book Mooch and a few other options, but failed miserably. So I have not managed to read the book, I have however managed to read the very limited preview available on Amazon.
The preview gives a small section of each chapter and I especially liked this one as it, like last month's book features index cards - I love 'em!
From the limited access I had, the book has a similar style to that of Bird by Bird which I reviewed last month and you can read HERE. It feels very much conversational coaching and that is a much nicer reading and learning style.
Writing for the screen requires, I believe vision and when you turn a book into a screen production - play or movie without the correct vision it does not always work. I am a visual person. I like to see the result rather than a series of plans. I once looked at a house that was going to be a new build. The agent was showing us where the bath was going to be and then tapped the plans. That does not work for me. I need to get a sense of context and reality.
Any writing that I have done has always been with the plan and vision of the work being text. I have never had the plan or want to turn any of it into a screen version. I don't have that ambition or vision. Does that make me a poor writer? What I can do is write and portray an image of a historical period, context or individual, but taking the next step to a touch of the theatricals is not my thing.
Taking part in the Progressive Book Club