Showing posts with label Guest Posts. Show all posts
Showing posts with label Guest Posts. Show all posts

Wednesday, 22 October 2014

Guest Post - Using vintage postcards to add to family and local history research by Kate Cole


Today I would like to welcome Kate who write at Essex Voices Past and is a contributor at Worldwide Genealogy. Kate is celebrating the publication of her book with a book tour and I am therefore delighted to be included on the tour.

Therefore, without further ado.....

Firstly, I would like to thank Julie for allowing me to write a post on her blog during my week long blog-tour of history-related blogs.  
My tour is to celebrate the publication of my first local history bookBishop’s Stortford Through Time, (a small market town in east Hertfordshire) and I’m touring the world, via the internet, writing about “all things family/local history”.
Today’s post, on day 5 of my tour, is about using vintage postcards to help with family and local history.  Throughout my book, I used vintage postcards to show “then” photographs of areas of Bishop’s Stortford a hundred years ago, compared with modern day “now” photographs.  Comparing the “then” photograph to “now” can clearly show how a town has changed over the last 100 years or so.

The old and the new seen through the photographs of Bishop’s Stortford

Our ancestors were prolific senders and receivers of postcards: small rectangles of strong cardboard measuring precisely 5½ inches wide by 3½ inches tall.  There is a great deal of information on the internet about how these pieces of cardboard evolved into being one of the major forms of communication around the world, from the late 1890s right up to the modern age.  The period of time today’s blog post is about is known as the “Golden Age” of postcards - roughly the late 1890s to end of the Great War.  By the height of the “Golden Age”, there was (nearly) always a picture on the front, and the back of the card was divided into two sections.  One the left side, the sender would write a short message, and on the right side there was room for the recipient’s name and address.  The fronts of the postcards varied considerably: (nearly) anything went - from cute pictures of fluffy cats, to risqué pictures of half-dressed beautiful young ladies, to views of local towns and villages.
Postcards were the twitter of their day. Millions upon millions of postcards were sent throughout the world every single year.  Everybody sent postcards - from soldiers in the trenches in Flanders writing home to their families during to the Great War, to people sending loved ones short but succinct messages demanding that they “meet me at the station, I’ll be on the 2pm train tomorrow”.  (In those days, postcards got to recipients much quicker than today’s post!)
Collecting vintage postcards from this “Golden Age” can greatly add to your own family and local history research.  It’s probably obvious what benefits the use of vintage postcards with scenic street views or social history photographs can have to local and/or social historian: being able to see a town or village’s past through the lens of a contemporary photographer.  But what about other uses for vintage postcards for historians?

Social history postcard of Great Dunmow’s 1913 Whit-Monday Horse and Cart parade. A vision of a rural community before it was changed for ever by the horrors of the Great War.
Family History
Hunting out your ancestors on the postcards of their local towns or villages as part of your genealogical research can be immensely rewarding.  If your ancestors were well-known in their own locality, or were tradesmen or publicans, then you may spot your own family on vintage postcards.  I have been incredibly lucky that my great-great aunt and uncle (my great-grandmother’s sister and her husband) were respected publicans and citizens of Great Dunmow, a small town in Essex.  My great-great uncle was also an outspoken amateur politician in the years prior to the Great War.  He and his family have turned up in many postcards of the town of Great Dunmow from the 1900s until just before 1914.  I would recommend searching auction sites such as eBay and entering in the (hopefully unusual) surnames of your ancestors and/or the town/village they lived in. 

The Royal Oak public house in 1910 – covered in election posters.  Its owner, James Nelson Kemp (my great-great uncle), standing in the doorway.

Gordon Parnall Kemp (my grandfather’s cousin) in the family’s horse and cart outside his father’s pub, The Royal Oak.  His father, James Nelson Kemp, is standing in the doorway looking at his son.  A young man in this pre-1914 postcard, Gordon was killed in action amongst the blood, mud and horror of the Battle of Passchendaele in September 1917.
Dates of Postcards
If you look at the fronts of social history/street scene postcards and try to date the card’s view, you do need to be cautious when attempting to establish an accurate date.  If the postcard has a clear postmark, do not rely on it being the precise date of the postcard’s view. Postmarks can only be a rough estimate of the date of the postcard – sometimes people purchased postcards but used them many years later.  Or shops and photographers kept old stock for many years. Therefore, postmarks (or a dated message on the back) are only ever the last possible date of that postcard’s view.


This postcard of Great Dunmow’s High Street originally caused me great problems identifying the year of the view.  Finally, after I’d managed to compare it with other postcards of the same street scene and looked at the photographer’s own serial numbers, I was able to establish that although the message had been written on in 1918, the image was in fact from the early 1900s.  Because of the serial number on the postcard, it is likely that the person who sent the postcard had had it in his possession for many years, before finally sending it home from France in 1918. 
Reuniting postcards with their “rightful owner”
Each year I sell about 100 vintage postcards on that well known internet auction site and I post them back to (who I think are) their rightful owners.  That is, people today living in the same streets, towns and localities as the address on the postcard they’ve just purchased from me.  Recently, I got a real thrill of excitement when I wrote on a modern-day envelope the exact same address as the address on a 110 year old postcard, and then posted the envelope with its precious contents back to its original house.  It really is well worth while keeping an eye out on the internet – you never know, one day your own house or photographs of your ancestors might turn up on an auction!
I have a very large postcard collection but my all-time favourite postcard is the card below.  It was purchased on the internet by the husband of my 2nd cousin – the great-granddaughter of the addressee on the postcard, Mrs Kemp.  He sent it to me, the great-niece of the sender, my great-auntie Elsie.  The “G is pulling a tooth out” on the message was my 7 year old granddad – a man I never knew as he died when I was two years old. It is incredible to think that 100 years after it was first posted, the descendent of the original addressee returned it to the descendent of the original sender.  But not only has it had family value to me, but also local history because I have lived in Great Dunmow for the last 11 years –the home town of my ancestors.
Elsie Parnall Cole’s postcard to her auntie, Alice Kemp (nee Parnall).  Where had it been between the years of 1907 when it was first sent, and the early 2000s when it turned up on the internet?
Where to buy these beautiful postcards
Hopefully I’ve now convinced you through my own research how much value vintage postcards can add to your family or local history research.  But, were do you buy them?  Well, of course there is that well known internet auction site.  Vintage postcards on the site is one of the most popular (modern-times) way of buying.  But, if you are looking for high quality excellent social history, then very often postcards on the site go for silly money – especially if there’s at least two of you bidding for a rare postcard.  For my book, Bishop’s Stortford Through Time, I must have averaged at least £30 per postcard bought on eBay.  One postcard in my book was being sold on eBay for £75 but I picked up my copy from a local postcard fair for £5 (not telling you which one!).  Another Bishop’s Stortford postcard was being sold for £99 but I bought mine at another fair for £40.  Prices vary greatly, with the better real photographic postcards exchanging hands for up to (and sometimes beyond) £100 per postcard on eBay.
The other way of buying is the traditional postcard fair.  Fairs are held in sports halls, leisure centres and schools all across the world, with anything from 5 to 100 dealers all selling postcards.  I attended my first ever postcard fair in 1980 when I was 16 years old (in those days, good quality social history postcards were exchanging hands for £5 – a king’s ransom in those days – I so wish I’d had the money to buy them back then!).  
In Britain, the best place to see where local postcard fairs are being held is on this website (http://postcard.co.uk/fairs.php). When I go to a postcard fair, I tend to take cash (dealers will often reduce their prices for high priced cards paid in cash), and I always always always stop buying when I run out cash.  My advice is to not take a cheque book!  Once my money has gone, then that is it – time to go home!  If I didn’t have that limitation, then I really would spend far too much money…
In my 40 years of collecting postcards, I have collected a wide and diverse range of postcards – from social history postcards to postcards by well-known Art Nouveau artists.  The joy of collecting postcards is that your tastes and range of interests can change with time.  If you are a postcard collector, what is your specialist topic?
Kate Cole’s blog tour
You can catch Kate on the following dates and blogs discussing "all things history", along with explaining about her recent book, Bishop’s Stortford Through Time, on the following dates and sites
§  Saturday 18 October - Worldwide Genealogy BlogThe process of writing a local history book.
§  Sunday 19 October - Essex Voices PastQ&A session with Amberley Publishing on "how to get a publisher interested in your history book".
§  Monday 20 October - Ross Mountney's NotebookHome education and teaching history to children.
§  Tuesday 21 October - Family History Across The SeaCorrelation between local and family history.
§  Wednesday 22 October - Anglers RestUsing vintage postcards to add to family and local history research.
§  Thursday 23 October - Bishop's Stortford Museum's BlogOral history and Bishop’s Stortford.
§  Friday 24 October - Essex Voices PastBishop's Stortford's postcards which got away.

About Kate Cole
Kate has a MSt in Local and Regional History (Cantab); a BA History (Open University) and an Advanced Diploma in Local History (Oxon) - all gained as a mature student. Having been a business technologist in the City of London for the last 30 years, she is currently taking time away from her City career to write. Her first history book, Bishop’s Stortford Through Time, was published by Amberley Publishing in September 2014. She has been commissioned to write a further three history books for them:-
§  Sudbury, Lavenham and Long Melford Through Time (due to be published summer 2015);
§  Saffron Walden Through Time (due to be published summer 2015); and
§  Postcards from the Front: Britain 1914-1919 (due to be published summer 2016).

She lives in Essex, England, and regularly write about the local history of Essex and East Anglia on her blog, Essex Voices Past

Please do click on the image below to buy her book.

Friday, 22 February 2013

Guest Post - Delancey Stewart, Author of Through a Dusty Window: New York City Stories 1910-2001



What was it that prompted you to write Through a Dusty Window: New York City Stories 1910-2001?

Through a Dusty Window was inspired by my time living in New York City in my early twenties. I was a West Coast kid, and the idea of living in a building that had been there since the 1800s was mind-boggling.The concept of a city that had existed since the 1600s was beyond that for me. I lived a bit of a wild life there, definitely living in the moment. But all that time -- which was only four years -- I was conscious of the ghosts that lingered in the city. I felt them on the sidewalks, in the park, on the subway, and especially out on the stoops of the brownstones that I wandered past when I was having my adventures. I always wondered who had lived in my apartment before me, and what it had been like before the building was sectioned off into studios and the whole building was one house. I lived on the Upper West Side, where the book is set, for a year, but not in a brownstone. I eventually moved down to 15th Street, and the building I lived in there had once been a single family home, I believe. 
How much research did you do prior to writing?
As I wrote each story, I did a lot of research around the specific time frame involved. For some stories -- like Darkness Unleashed, which is about the blackouts in 1977, an event inspired the fiction. The blackout of 1977 came during a summer that had already seen racial discord on the Upper West (and the rest of the city), the Son of Sam slayings in Queens that had everyone tense and afraid, and a general degradation of the city as the economy suffered. I read about how there had been a blackout in the city in the mid-sixties, and how neighbors had mingled in the streets, laughing and having parties until the lights came back on. The blackout in 77, though, saw people staying in their homes, afraid of the darkened streets and of their neighbors. So much had changed so quickly, and I thought it was a great backdrop for a story.

The Internet makes research so easy, and it was fascinating to increase my own knowledge of my favorite city while I prepared to write about it. My favorite stories are The Vault, which is loosely based around the liquor vault at the 21 Club, which I've read about in several places; The Harbinger, which was based on the sighting -- and subsequent newspaper reporting -- of two rhesus monkeys on the Chambers Street subway platform (I changed the date on that one to make it work for my story); and Darkness Unleashed, which really focuses on the way the city changed and degraded so quickly from the late 60s to the late 70s. The last story, which is somewhat autobiographical, was also obviously based on real events, and deals with the downing of the World Trade Center.

For each bit of fiction, I tried to overlay the atmosphere and consciousness of the City at that point in time.
Were you tempted to turn this into a non fiction account of a specific address in New York?
Though each story is set in the same fictional building, I never thought to try to do a non-fiction version of the same idea. Though I enjoyed the research involved in the work I did, I think that trying to track down enough specific detail about an anonymous building might be tedious enough to put me off wanting to write about it! And for me - learning is fun, but the writing is the best part!  
What are you currently working on?
My current projects are pretty drastically different than Through a Dusty Window, though New York City still figures prominently. I've signed a deal with Swoon Romance to publish a series of New Adult novellas called "Girlfriends of Gotham." The first one, Men and Martinis will publish in June, and I'm very excited about it. The books follow a group of young women through their trials and tribulations on the work, social and dating scenes of New York in the late nineties, when the Internet economy was in full swing.

I've also signed with Swoon for a young adult romance novella, and am working on another series of contemporary book-length romances that are loosely tied to wine varietals. (I know, it sounds odd, you'll just have to read to understand!).

Through a Dusty Window: New York City Stories 1910-2001 by Delancey Stewart is available from Amazon.

You can follow the author via - Twitter * Facebook * Blog

Saturday, 16 February 2013

What’s your favourite AWW 2012 review? Scribe Book Giveaway

Are you a lover of literary fiction? Or nonfiction, history, memoir and biography? Would you like to encourage more reviews that make you want to race out and buy or borrow a book?
Scribe Publications are offering AWW readers a chance to win books by selected AWW authors in a special giveaway. All you need to do is to nominate your favourite review from the Australian Women Writers 2012 Challenge in the Literary and Classics, History, Memoir and Biography or Nonfiction categories.
A reviewer's perspective & Meg Mundell's Black Glass: Annabel SmithTwo entrants who nominate winning reviews, as well as the top three reviewers, will be invited to select a book by the following Scribe authors.
Fiction:
Berlin-syndrome
Indelible-Ink-by-Fiona-McGregor-194x300Nonfiction:
How to enter: Fill out the Google form below to nominate your favourite review(s) – you can enter more than once. Eligible reviews can be found on the Literary and Classics ,History, Memoir and Biography, and Nonfiction pages on the AWW Review Listing site. State why you think the review nominated deserves to win.
Winners will be chosen on the basis of merit by author Annabel Smith in consultation, if necessary, with members of the AWW team.
Note:
  • This book giveaway is available to both Australian and international residents.
  • You don’t need to be signed up for the AWW 2013 challenge to enter. (Though you might like to!)
  • If more than one reader nominates a winning review, the winner will be decided on the basis of his/her nomination.
  • If you reviewed for the AWW challenge in 2012, you can nominate your own review.
  • You can nominate more than one review. (Just fill out the form again.)
  • Entries will close when a sufficient number of reviews have been nominated to make a fair selection.
  • Winning entries will be announced as soon as they become available.
  • Winning entrants will be notified by email. Winning reviewers will be contacted via their blog (or GoodReads page, if applicable). If any winner does not respond within 5 days, another winner will be selected. Once all winners have been notified and responded, the results will be posted on the AWW blog.
  • Contact details for each winner will be forwarded to Scribe to arrange delivery of the prize.
To access the form please click HERE

Thursday, 24 January 2013

My Column at Smitten by Britain

I am delighted to say that I have a guest post over at Smitten by Britain. Smitten by Britain is described as the "Home of the Britophile and all things British"
   
Smitten by Britain
This is the start of a regular feature which I have called British Allsorts, in which will explore with you bits that happen in my part of the West Country, with perhaps a few other bits such as random thoughts, historical aspects, book recommendations and anything else that takes my fancy! – all with a British slant of course!

Here is the link to my first contribution. You can follow my column by visiting the Smitten by Britain website and subscribing via email, Twitter and Facebook.

Wednesday, 23 January 2013

My Column at The In-Depth Genealogist

Picture As I mentioned a week or so, I have been selected to be a columnist at the On line genealogist magazine, The In-Depth Genealogist.

My column, titled Across the Pond will focus on researching ancestry in the United Kingdom.

Each month we will explore the lives of our forebears and seek to understand the Society they lived in through the obvious and not so obvious research opportunities.

You can read my Introduction post HERE and you can follow the column by visiting The In-Depth Genealogist website and subscribing via email or via twitter and Facebook.

Tuesday, 31 July 2012

The Siren of Paris by David Leroy

Amazon Summary

In German occupied Paris, a group of unlikely people join in collaboration to smuggle Allied airman south to Spain. One of those intrepid heroes happens to be American. The Siren of Paris, the debut work of historical fiction by David LeRoy, tells a searing story of love, betrayal, forgiveness, and war that brings to vivid life the shimmering City of Lights during its darkest hours during World War II.

The story starts in 1939, when Marc Tolbert, the French-born son of a prominent American family, takes off for Paris to follow his dream of becoming an artist. Marc’s life soon sparkles in the ex-pat scene in Paris. His new friend Dora introduces him to a circle that includes the famous Sylvia Beach, owner of the bookstore Shakespeare & Company; and he accepts a job with William Bullitt, US ambassador to France. At art school, he finds himself further enchanted by the alluring model Marie.

Marc’s Parisian reverie, however, is soon clouded over by the increasing threat from Germany. As Americans scramble to escape Paris, he finds himself trapped by the war, and nearly meets his fate on the disastrous day of June 17, 1940, aboard the RMS Lancastria. Upon returning to Paris, his fate grows more troubled still, as he smuggles Allied airman through the American Hospital to the Paris Resistance underground, until a profound betrayal leads him into the hands of the Gestapo and onto Buchenwald.

Rigorously researched and vibrant in historical detail, The Siren of Paris reimagines one of history’s most turbulent times through the prism of an American abroad in Europe’s most harrowing days. Poignant, gripping, and thought-provoking, The Siren of Paris mines the human dilemma of revenge versus forgiveness, and vividly captures the conflicted state of survival.


Excerpt:

     Marc decided to walk home instead of taking the Metro. He approached one of the main boulevards that led from the east train station. All along the road, people carried whatever baggage they could manage. A few were injured. Marc stood on the side of the street and watched as they passed. At first he was going to cross over, but then decided to join the crowd and walk for a bit. He knew after a few moments where they were going. He could overhear them speaking among themselves in French or Dutch. After crossing the Seine, and walking a few more blocks, 

     Marc briefly lost track of time. It had not been long, maybe only twenty minutes or so. The crowds grew denser. There was less room to walk on the sidewalks or even the street. In another block, he could see the façade of the station in front of him. He did not walk any further, and instead turned around. He walked against the crowds coming down the street, turning his back to the south train station with a horde of people before it. A herd of goats being led by a peasant farmer did not faze him, because livestock had now become common in Paris. After another thirty or so minutes, he stood in the street below his apartment. Bricks crushed a car on the other side of the street. People took what they could from the building. Marc stood in shock, as he looked directly up into the parlor room of his fourth-floor flat. He made his way in through the door and up the marble staircase as others were coming down. Marc opened the door to his apartment, and the evening breeze gently flapped the drawing he’d done of Marie back in early December. 

     He turned over the armoire, pulled out the clothes, and packed his bags. He found the keys that Nigel and Dora had given him. The bowl’s rose-colored glass lay shattered on the floor. He stuffed the francs from Dora into his jacket. Marc felt cold and detached as he gathered his belongings. He fully accepted the loss of the wall to the outside street below. It did not bother him at all that he was not sure where he was going to stay. He had two sets of keys, after all, for two other Parisian apartments. They could not have got all of them, he thought to himself. Nothing could take his mind off the crowds at the south station. The desperate voices, the stares of the other refugees looking to flee the city, echoed in his mind. Before he left the apartment, he looked around. He saw the drawing again on the wall, and remembered with a small laugh what the instructor had said. “This is what you came to France for, Marc.”

(LeRoy, David. The Siren Of Paris)


David Leroy did extensive research on the German occupation of France for his debut novel The Siren of Paris. This historical novel follows the journey of one American from medical student, to artist, to political prisoner at Buchenwald Concentration Camp during World War Two.

You can purchase The Siren of Paris in Kindle e-book format from 
and learn more about this author and novel at http://www.thesirenofparis.com/

For more information about this virtual book tour, please visit -- 
http://bookpromotionservices.com/2012/05/22/siren-of-paris-tour/


Taking part in Paris in July which is hosted by Karen from BookBath and Tamara from Thyme for Tea

Stay tuned for an author interview and a book review.

Tuesday, 24 July 2012

Guest Post - Anne M Powers

Author ImageI recently had the opportunity to interview Anne Powers, author of the recently published A Parcel of Ribbons - The Letters of an 18th Century family in London & Jamaica. Here is what Anne had to say -


As you researched the story of your ancestry was it always your  intention to publish this as a book or did it just happen that way?

I had no idea that what I would find would be so interesting or worth writing a book about – but when I found the Lee letters I felt they deserved a wider audience. That’s how the book came about, and while I was working on it I felt I wanted to share my Jamaican research, so that was how the website was born.

What was the biggest surprise as you researched and wrote ‘A Parcel of Ribbons’?

The biggest surprise was discovering the connection with Jamaica. I had been searching for an ‘Indian Princess’ and had spent quite a lot of time looking at the Lee family of Virginia, searching for a family Pocahontas. I knew there was someone called Richard Lee in the family and I had found his Will which connected him to my mother’s great grandmother. Then I found his 1851 census entry. This was the first time place of birth was recorded and I was astonished to find he had been born in Jamaica in 1765. Had he not lived to such a great age I’d probably never have realised the family had been in Jamaica, nor that my ‘Indian Princess’ came from the West Indies.

Are there any tips you would like to share about the research or publishing stage of your book?

Most of my research has been done on the internet, or by contacting people directly. People are incredibly helpful when it comes to family history research and I wrote to a number of people along the lines of ‘You have no idea who I am, and do feel free to bin this letter, but....’. On numerous occasions people got back in touch, often to say they could not help, ‘But, do try my cousin so-and-so’. I always enclose a stamped self-addressed envelope and give full details of my email and phone so they can choose how to make contact.

Although so much material is now available on-line, including wonderful scanned images of parish registers and other documents, there are times when only an actual visit to see an original will do. The best advice I could give for that is to be sure you know in advance what you are looking for, that you have all your own id with you to register as a reader, and to allow plenty of time. We are so used to instant access on-line that sitting waiting 40 minutes for a document to be brought up can seem a slow process, especially if it is handed out one page at a time. Plan to have something else to be getting on with while you wait – even if it’s just grabbing a coffee!

As for publishing, I decided to go down the print-on-demand route as it gave me full control – the down side of course is that you do have to do everything yourself which otherwise would be handled by an agent and a publisher. I am very happy with how the book has turned out – now I just have to hope others are too!

What's next?

There are always stories that pop up on the fringes of what you are researching – which is why my ‘Jamaican Connections’ database on Ancestry now has over 5,500 individuals, and my family one is almost as big. I record lots of people who may not be of interest now, but who might be relevant one day. I am intrigued by the story of the Rooker family. Lydia Rooker is mentioned in my book as the ‘lady from Chelsea’ with a fortune, who married schoolmaster William Rothery. She had several sisters who made interesting marriages (one whose husband made his fortune in Jamaica) and a brother involved as a key witness in a court case concerning the murder of two little apprentice sisters. I’d like to find out more about them.

Synopsis
Set among the sugar plantations of Jamaica and the balls and masquerades of Georgian London the story is told by the Lee family in their own words. In 1749 thirteen year-old Robert Cooper Lee sailed to Jamaica taking a parcel of ribbons for sale. When his family was left all but penniless, Robert and his brothers forged new lives in Jamaica, fathered children with women who were the descendants of slaves and supported their sister left behind in England. Robert returned to London with his family in 1771. A prominent attorney, respected throughout Jamaica and among the West Indian lobby in London, he had built a fortune that enabled his children to mix with royalty. This remarkable collection of letters tells a story of triumph against adversity, of a family that suffered sickness, bankruptcy, sudden death, a clandestine marriage and an elopement. Through it all the bonds of family endured.

A Parcel of Ribbons - The Letters of an 18th Century family in London & Jamaica was published in July 2012 and is available from HERE

Anne's website to accompany the book is at http://aparcelofribbons.co.uk/

Thursday, 19 July 2012

Guest Post - Gillian Mawson

I have recently had the good fortune to interview Gillian Mawson, author of the forthcoming book, Guernsey Evacuees. This is a fascinating subject and I am delighted that Gillian agreed to be interviewed. Here is what Gillian had to say -

What was it that inspired you to research the topic of Guernsey Evacuees?

In early 2008 I was researching the Manchester Blitz of December 1940, when I discovered a June 1940 newspaper which described the arrival of thousands of Guernsey evacuees in England. 2,000 of them arrived in my home town of Stockport, Cheshire and I knew nothing at all about these evacuees. I tried to find out more but could discover very little, and I realised that this was an untold story of the Second World War Home Front which needed to be captured. This prompted me to trace surviving evacuees, when I discovered that many had not returned to Guernsey after the war, but had remained in England. As I began my interviews in England and in Guernsey, I was gripped by these previously untold stories and, due to the advanced age of the evacuees, I decided to record as many stories as I could before it was too late. I left my full time job as a university administrator/researcher to pursue this Guernsey research more fully, and I have now interviewed almost 200 evacuees.

At what point did you realise that your research could become a book?

Between 2008 and 2010 I began to put together the various pieces of the Guernsey evacuation story and it was similar to putting together the pieces of a jigsaw puzzle. I realised quite early on that these emotional and untold stories would make a great book, but I was intent on continuing to collect as many personal stories as possible. Last year I was delighted to be approached by the History Press who asked me to write a book for them. I chose to write a book aimed at the general public rather than to write an academic book. I want to bring out the very human element of these evacuee experiences – the joy, the sadness, the family separation, the courage and determination, and the bonds that were formed between many of the evacuees and their neighbours in England. Many of these bonds continue today.

What was the most surprising thing you learnt from your research?

Guernsey evacuees arriving in
Cheshire, Summer 1940
I was surprised by the way that these evacuee experiences gripped me, due to the emotional issues contained in each unique evacuee's story. The research practically took over my life. I was not only drawn into the history of the island of Guernsey, but also drawn in to the story of the English Second World War Home Front in a way that I had not previously been. Five thousand school children were evacuated from Guernsey with their teachers and some of these schools were re-established in England for the duration of the war.  Thousands of Guernsey mothers left home with their infants in their arms and little else, and created new lives for themselves in England. In addition, the Guernsey evacuees' contribution to the British war effort during the Second World War was amazing! 

I have formed friendships with many of the evacuees I have interviewed. I attended an evacuee reunion in Guernsey in May 2010, and in June 2010 I organised an evacuee reunion in England which was attended by evacuees, their friends and many local people. After this event I set up a community group for the evacuees who remained in northern England after the war, to enable them to share their wartime experiences with the local community. I also produced a short documentary film about 'Guernsey Evacuees in Lancashire, England', with my colleagues from Bury Archive Service. I sell copies of the DVD via my website to raise funds for our evacuee community group.

We also speak to school children and museum audiences to bring home the story of the Guernsey evacuation, and this brings the younger and older generations together in a unique way. I also organise 'Guernsey evacuation' events in museums and galleries. 300 people attended our event in Stockport in October last year, which was filmed by the BBC. You can watch an online clip of the event at http://www.bbc.co.uk/news/world-europe-guernsey-15536660

How easy was it to conduct the research & interviews?

I prefer to interview evacuees in person, but I sometimes have to conduct interviews over the telephone as I cannot always afford to travel to their homes. I have travelled around England interviewing evacuees who did not return to Guernsey after the war.

I have visited Guernsey six times and spent most of that time interviewing people. A typical day includes interviewing an evacuee in the morning, another at lunch time, another in the afternoon and sometimes one more in the evening! The cost of travelling from England to Guernsey is prohibitive, so I have to do as much as I can each time I make the journey. I also try to squeeze in a trip to a Guernsey archive during these visits. Sadly, this leaves little time for me to undertake any sightseeing on that beautiful island!

I have used the internet recently too, contacting evacuees via email to ask if they could email their story to me. I have also been approached by evacuees through my website, and also through Twitter where I can be found as @Guernseyevacuee

What's next?

I hope that my book is successfully received by the public, and I hope to write another. I have a number of ideas for books, all relating to the British Second World War Home Front. However, I will continue to capture Guernsey evacuation stories for as long as there are evacuees around to share them with me. There are so many aspects of the evacuation that are still a mystery to me. I will also continue to work with my Guernsey evacuee community group for as long as they are fit and able to share their stories with the public.

My book “Guernsey Evacuees: The Forgotten Evacuees of the Second World War” is available for pre order now, via amazon.co.uk, and amazon.com - published on 1 November.

My website and blog can be found at:

and you can read my diary of an evacuated Guernsey Mother at:

Gillian, Very many thanks for such a great interview, and I am really looking forward to reading and reviewing Guernsey Evacuees.

Images courtesy of Gillian Mawson and published here with permission.

Tuesday, 22 May 2012

Guest Post at A-Z Challenge Blog


Having recently complete the A- Z Challenge I was invited to write a guest post, which has been posted at the A-Z Challenge blog today

Click to read the post - Preparation is 9/10th of the Work!

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